3/26/2023 0 Comments Perfect ear trainer redditDetermine the character (major/minor), determine the "color" (bright/dark) (how clear is the chord/is there any tritones or seconds), then determine the resolve.įor scale, I pretty much remembered the pattern. Triads are easier, so I just listen for the 3 tone and sing it in arpeggio. I mainly listen for how it would resolve to figure out the Inversion. For example Dominant Fifth has a tedency to resolve to its Fourth (thus Tonica of the scale). I listen mostly for the resolving of the chord. I trained to listen for the "characteristic and colors". Over the Rainbow with Octave.Īs for larger Intervals up to an octave, i usually sing a fifth and then determine the second part before adding the semitones gaps togetherĪs for above an octave, i simply use octave instead of fifths.Īs for Chords. Or trying to sing a scale, triad and cadence (I-IV-V-I8) with it to identify the smaller intervals.Įasy examples are Schindlers List with Fifths. ![]() I apply it to a piece which contains an interval I know. That's what I discovered for myself overtime.Īnybody can sing the major scale from memory, so everyone has the basic bricks to work just from sheet. When you want to improvise or compose a line, the music comes from inside your mind, not your ears, and even when it comes through your ears, what you hear is processed inside your mind, so you better work right at the source. It's not really what you hear with your ears that matters but what you hear in your mind. Personnaly i think it's better to work from real music, like transcribing it, or sight sing sheet music directly, like exercices from Danhauser Solfege des Solfeges. Maybe some melodic lines or some notes justifications are though about more like this by the creator of the melody, so it's about combining all this perspectives. But it can it can also be felt as the note below the tonic, or the note above the sixth, or the third of a chord. The personality of the seventh degree of a the tonality is that it sounds as a seventh interval primarily. We do that unconsciously, otherwise tonal music would make no sense to people that didn't ear train, and the task is to find ways to make you more conscious about it. ![]() The personality of the note primarily comes from the context it's heard in, context that is created by the predominance of the tonic that our attention puts in the center of everything, which has a consequence that the other notes will be heard and felt relatively to the tonic. When you hear the tone, does your brain immediately know what they are based on their "personality/flavor" (as the app describes it), or does your brain resolve it to the tonic,
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